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orchestra; clear tonal harmony; programmatic effects Bach: Uses flute/violin/harpsichord as its "solo group" (concertino) vs.Today, academic detectives look for the real Josquin.When I was in graduate school, musicologists were waging holy wars with one another over Josquin's particulars.Today a few of those particulars are in pretty good order.

In an era when music was generally performed a few times before being replaced by something newer, Josquin des Prez was a rarity: a composer who was remembered and honored long after his death.For each example, I will choose a section that will clearly represent the composer/piece/style/term; however, I will not necessarily start at the beginning of a piece, especially in vocal examples that would give away the title of the work, and I may not use the exact recording that is available on the following Divide the examples into logical categories and compare examples that are similar: Listen to the examples and try to hear the details listed below (don't just memorize the details without listening--this will not help you) : open intervals at cadences (perfect 4th, 5th, 8ve), no imitation, unpredictable complex rhythms with each voice part being completely independent Palestrina: points of imitation, smooth vocal lines, full triads at cadences - vs.Purcell: Dido and Aeneas [both are opera examples, but they are quite distinctly different in style and sound] Monteverdi: a male vocalist (Orpheus) sings in a relatively free dramatic rhythm by a over a thin and harmonically- basso continuo accompaniment Purcell: "Dido's Lament" a female (Dido) sings smooth vocal lines in a steady tempo over a fuller orchestral accompaniment -JS Bach: Cantata No. Handel: "Every Valley Shall Be Exalted" from Messiah Bach is completely fugal on the "Vivaldi: flashy solo violin part vs.His works were described as models of the "perfect art." The birth date and birthplace of Josquin des Prez are unknown, and until recently even the spelling of his name was conjectural.If the Milanese archives from 1459 to 1472 that refer to the "biscantor" (singer) "Juschino de Frantia" concern the composer, he must have been born about 1440, or 10 years before the hitherto-accepted date.Despite the epitaph for the composer Johannes Ockeghem, in which Josquin (among others) is asked to lament his "good father" ("perdu avez vostre bon père"), the assumption of a teacher-student relationship between the two is not warranted.


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